{"id":6729,"date":"2023-03-07T13:27:07","date_gmt":"2023-03-07T10:27:07","guid":{"rendered":"https:\/\/www.ekavartgallery.com\/?page_id=6729"},"modified":"2026-03-18T15:11:29","modified_gmt":"2026-03-18T12:11:29","slug":"basin-bulteni-2","status":"publish","type":"page","link":"https:\/\/www.ekavartgallery.com\/tr\/basin-bulteni-2\/","title":{"rendered":"g\u00fcncel bas\u0131n b\u00fclteni"},"content":{"rendered":"

Tres Specula \/ \u00dc\u00e7 Yans\u0131ma<\/strong><\/h3>\n

7 Nisan \u2013 7 May\u0131s 2026<\/strong><\/h4>\n

EKAV<\/strong> \/ E<\/strong>\u011fitim, K<\/strong>\u00fclt\u00fcr ve A<\/strong>ra\u015ft\u0131rma V<\/strong>akf\u0131, 7 Nisan \u2013 7 May\u0131s 2026 tarihleri aras\u0131nda Abitus Sanat Projeleri i\u015f birli\u011fi ve Yasemin Semercio\u011flu koordinasyonunda d\u00fczenlenen, \u00fc\u00e7 sanat\u00e7\u0131n\u0131n (\u00c7i\u00e7ek Benardete, Pembe T\u00fcz\u00fcner, Tina Varon) farkl\u0131 disiplinlerdeki eserlerini resim, heykel ve cam\u0131n ifade olanaklar\u0131 \u00fczerinden ortak bir d\u00fc\u015f\u00fcnsel zeminde bulu\u015fturan \u201cTres Specula \/ \u00dc\u00e7 Yans\u0131ma\u201d sergisine Ekavart Gallery\u2019de ev sahipli\u011fi yap\u0131yor.<\/p>\n

Latince \u201c\u00fc\u00e7 ayna\u201d anlam\u0131na gelen Tres Specula, sanat\u0131n yans\u0131tma g\u00fcc\u00fcne ve sanat\u00e7\u0131n\u0131n d\u00fcnyay\u0131 alg\u0131lama bi\u00e7imine g\u00f6nderme yapar. Her sanat\u00e7\u0131 kendi \u00fcretim prati\u011fi i\u00e7inde ger\u00e7ekli\u011fi yeniden kurarken, malzeme ve form arac\u0131l\u0131\u011f\u0131yla hem g\u00f6r\u00fcn\u00fcr olan\u0131 hem de onun ard\u0131ndaki duygusal ve d\u00fc\u015f\u00fcnsel katmanlar\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131r.<\/p>\n

Sergide yer alan sanat\u00e7\u0131lar \u00c7i\u00e7ek Benardete, Pembe T\u00fcz\u00fcner ve Tina Varon, farkl\u0131 malzemelerle \u00fcretseler de ortak bir ara\u015ft\u0131rma alan\u0131nda bulu\u015fuyorlar: formun, \u0131\u015f\u0131\u011f\u0131n ve y\u00fczeyin yaratt\u0131\u011f\u0131 yans\u0131malar. Heykelin mek\u00e2nla kurdu\u011fu ili\u015fki, resmin y\u00fczeyinde geli\u015fen renk ve ritim ve farkl\u0131 malzemelerin \u0131\u015f\u0131kla kurdu\u011fu diyalog, sergi mek\u00e2n\u0131nda birbirini tamamlayan \u00fc\u00e7 ayr\u0131 ifade bi\u00e7imine d\u00f6n\u00fc\u015f\u00fcr. Sanat\u00e7\u0131lar\u0131n bireysel \u00fcretimlerinden do\u011fan bu \u00fc\u00e7 yakla\u015f\u0131m\u0131n ayn\u0131 mek\u00e2nda kar\u015f\u0131la\u015fmas\u0131 izleyiciye \u00e7ok katmanl\u0131 bir g\u00f6rsel deneyim sunar.<\/p>\n

\u00c7i\u00e7ek Benardete<\/strong>\u2019nin resimleri izleyiciyi 1960\u2019lar ve \u00f6zellikle 1970\u2019lerin sosyal hayat\u0131na do\u011fru bir yolculu\u011fa davet eder. Sanat\u00e7\u0131, d\u00f6nemin gece hayat\u0131n\u0131, e\u011flence k\u00fclt\u00fcr\u00fcn\u00fc ve g\u00fcndelik ya\u015fam\u0131n sahnelerini fig\u00fcratif bir anlat\u0131mla yeniden kurgular. Dans eden \u00e7iftler, salonlar, barlar ve ev i\u00e7i sahneler arac\u0131l\u0131\u011f\u0131yla bir d\u00f6nemin atmosferi, sosyal ili\u015fkileri ve kolektif haf\u0131zas\u0131 resim y\u00fczeyinde yeniden canlan\u0131r.<\/p>\n

Pembe T\u00fcz\u00fcner<\/strong>\u2019in metal heykelleri do\u011fa ile end\u00fcstriyel malzeme aras\u0131nda kurulan bir diyalo\u011fu g\u00f6r\u00fcn\u00fcr k\u0131lar. Ku\u015f fig\u00fcrleri \u00f6zg\u00fcrl\u00fc\u011f\u00fc ve hareketi, \u00e7i\u00e7ek formlar\u0131 do\u011fan\u0131n s\u00fcreklili\u011fini ve yenilenme g\u00fcc\u00fcn\u00fc \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rken soyut bi\u00e7imler maddenin potansiyeline ve hayal g\u00fcc\u00fcn\u00fcn s\u0131n\u0131rlar\u0131na i\u015faret eder. Sanat\u00e7\u0131, metalin sert ve so\u011fuk yap\u0131s\u0131 i\u00e7inde sakl\u0131 olan ak\u0131\u015fkanl\u0131\u011f\u0131 ortaya \u00e7\u0131kararak do\u011fan\u0131n ritmini heykel formunda yeniden yorumlar.<\/p>\n

Tina Varon<\/strong>\u2019un heykelleri k\u0131r\u0131lganl\u0131k ile dayan\u0131kl\u0131l\u0131k, m\u00fckemmellik ile kusur aras\u0131ndaki gerilim \u00fczerine kurulu bir form ara\u015ft\u0131rmas\u0131d\u0131r. Sanat\u00e7\u0131 cam\u0131n \u0131\u015f\u0131kla kurdu\u011fu ili\u015fkinin yan\u0131 s\u0131ra metal ve farkl\u0131 malzemelerle geli\u015ftirdi\u011fi hayvan fig\u00fcrleri ve soyut formlar arac\u0131l\u0131\u011f\u0131yla do\u011fa, hareket ve d\u00f6n\u00fc\u015f\u00fcm fikirlerini ele al\u0131r.<\/p>\n

\u201cTres Specula \/ \u00dc\u00e7 Yans\u0131ma\u201d, \u00fc\u00e7 sanat\u00e7\u0131n\u0131n farkl\u0131 malzeme ve ifade bi\u00e7imleri \u00fczerinden d\u00fcnyay\u0131 alg\u0131lama ve yans\u0131tma bi\u00e7imlerini bir araya getirirken, izleyiciyi form, \u0131\u015f\u0131k ve y\u00fczey aras\u0131ndaki ili\u015fkileri yeniden d\u00fc\u015f\u00fcnmeye Ekavart Gallery\u2019ye davet ediyor.<\/p>\n","protected":false},"excerpt":{"rendered":"

 Continue Reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6729","page","type-page","status-publish","hentry","post-holder"],"_links":{"self":[{"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/pages\/6729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/comments?post=6729"}],"version-history":[{"count":30,"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/pages\/6729\/revisions"}],"predecessor-version":[{"id":9324,"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/pages\/6729\/revisions\/9324"}],"wp:attachment":[{"href":"https:\/\/www.ekavartgallery.com\/tr\/wp-json\/wp\/v2\/media?parent=6729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}